Postcrossing Blog

In the spirit of mail sometimes taking the scenic route to their destinations, this blog post is a little late… but as they say, better late than never! It’s been a while since the Little Mail Carriers made a visit to Patricia (Angelthecat) in Germany, which they did in time for World Postcard Day in 2021. We’ve been keeping this delightful blog post from you since then, so let’s waste no more time and let them tell you all about their adventures and the many postcrossers they met along the way…

Hello all, this time we travelled to Franconia. Patricia (aka Angelthecat) hosted us for some time and showed us some really wonderful places together with Manuela (Manu86), Antje (KiwiAngie), Verena (vvsmurfy) and Tanja (Gaiasduhter).

We started at Herzogenaurach.

The town with approximately 24,000 inhabitants is situated about 25 kilometers north-west of Nuremberg and is especially known in the world of sports. Herzogenaurach is for example the home of Adidas, one of the leading sportsware producers worldwide. The history of manufacturing sports’ shoes started in the 1920s. In 1924, the first firm was registered and named “Dassler Schuhfabrik”. When the brothers Dassler split up after WWII, Adolf Dassler established his firm today known as “Adidas AG” in 1949. The firm’s name is an acronym made of the Adolf Dassler’s nickname “Adi” and the first three letters of his last name. The Adidas soccer shoes became worldwide attention with the “wonder of Bern”, when the German national soccer team wore shoes with three stripes and innovative soccer cleats when winning the World Cup in 1954.

After a long city stroll, we were really hungry in the evening, and therefore got invited to try a typical dish of the region: The Aischkarpfen (carp from the river Aisch). Very yummy!

Of course, we also took some time to write some postcards and prepare for World Postcard Day!

The next day it continued: On October 2nd, 2021, there was a Postcrossing meet-up in Ansbach. It was wonderful again.

The name “Ansbach” has its origin probably in an inflow of the river Rezat, called “Onoldsbach”. In the year 748, a monastery was founded in its estuary, the roots of the later town Ansbach. It was mentioned on a document in 1221 for the very first time. This means we got here on time for its 800th jubilee – great!

When walking through the town, we noticed that there are also other funny statues, like this man with a suitcase:

And we took a look at the Saint Gumbertus church in Ansbach:

We also highly recommend visiting the castle garden in Ansbach. It’s beautiful!

And of course, we helped with writing postcards again afterwards…

After a long day, we needed a good rest, but the next week we went to explore Nuremberg, the home of Angelthecat and Gaiasduhter! First of all, we climbed the castle hill, and were able to enjoy the beautiful view over the city.

It’s not very clear when Nuremberg was founded. It was mentioned the first time in a document called the “Sigena Urkunde” issued by emperor Henry III in 1050. Probably there were some smaller settlements as well as a castle. This castle became an imperial seat and was soon important for the whole empire of that time. In 1219, Nuremberg was acknowledged as a free imperial city by Frederick II. Today, Nuremberg is known for toys, gingerbread and the world famous “Christkindlesmarkt” (Christchild’s Fair). Nuremberg was also the stronghold of manufacturing pencils!

We also discovered something very cool, and exactly the right size for us: a model of the Nuremberg castle and the city area of that time!

Of course, we also visited the famous Nuremberg painter, graphic artist, mathematician and art theorist Albrecht Dürer. Maybe you even already received a postcard with one of his works? World famous are the “Young Hare” or the “Praying Hands”.

We even ran into him in person (sort of)…

After that, we visited the main market square (Hauptmarkt). The “Frauenkirche” (Church of our Lady) on the main market square was built by emperor Charles in the time of 1352 to 1362. It is known internationally for its so called “Männleinlaufen” (a mechanical clock that commemorates the Golden Bull of 1356). Every day at noon, 7 electors come from the right door, go towards the emperor, and turn to him. The figure of the emperor welcomes them with his scepter—it’s a bit complicated to explain, but wonderful to see: there’s a video here on Youtube that lets you catch a glimpse!).

We also visited the Beautiful Fountain. It was built in 1396 and is situated at the main market next to the town’s hall. Its height is about 19 meters. It is known for its story of the brass ring:

“Master Kuhn, who built the lattice fence around the fountain, had a daughter named Margret, who was adored by the apprentice. As the Master did not want to give his child to a poor man, he prohibited the relationship and threw him out. It is said that Kuhn told the apprentice that he would not get his daughter the same way the young man wouldn’t be able to make rings turning around at the fountain’s lattice fence. When the Master travelled, the apprentice secretly made the rings, to prove his skills. Then he cut the rings and put them to the lattice and hammered and filed until the seams could not be seen anymore. Then he left the town and never came back. When Kuhn was back home, he recognized that he was too strict. But it was too late, and Margret was in tears. One of the rings is seen as a lucky charm. The legend tells that those who touch and turn the ring, will be blessed with children. Most of the tourists think that the ring made of brass is the lucky charm, but lot of people from Nuremberg think that the “real ring” is the one made of iron, and therefore is the lucky charm.”

Before we go on with our trip, we have to relax a bit at the “Museumsbrücke” (museum’s bridge) with view to the Heilig-Geist-Spital (Holy Spirit Hospital):

The “Heilig-Geist-Spital”, often simply called “HeiGei” by Nuremberg locals, was used to care for the sick and old of the imperial city. The hospital was donated by the richest citizen of that time, Konrad Gross. Still today it is used as a retirement home. The Heilig-Geist-Spital is also the place where the imperial insignia were kept in Nuremberg from 1424 to 1796.

Before we went back to our host’s home, we enjoyed the view over the city again, this time towards the castle:

We really enjoyed the time in Nuremberg very much and in case we will get the chance to come here again, we definitely want to eat gingerbread. They are simply a must to eat at Christmas time. Maybe together with our new friends? But for now, we’re on our way once more…

Thank you for hosting the Little Mail Carriers, Patricia, and thanks also to all the postcrossers who spent time with them for welcoming them so warmly!

Since their time in Franconia, they’ve had several other adventures—but that’s a story for another day…

The writing prompts invite postcrossers to write about a different topic on their postcards’ messages every month. These are just suggestions though — if you already know what you want to write about, or the recipient gives you some pointers, that’s great too!

Since I joined Postcrossing, I’ve started thinking a lot more about stamps. I always used to have some around from writing to my parents while I was at university, but I didn’t think a lot about them until I started being more aware of the sheer variety available. Other people’s interest in stamps made me take an interest too: seeing requests to receive specific stamps made me look for them wherever possible, and then keep up with what other stamps might be available so I could make sure to use some interesting stamps. So this week’s topic was prompted by John (aka mezzanine2) in the forum!

For quite a while, even before I used Postcrossing, I personally liked using the “country definitive” stamp for Wales, with the dragon on it for first class, a leek design for second class, and a daffodil for international stamps. I had to order them online, since I live in England, but for me it was a little way of showing where I come from. The dragon is of course one of Wales’ best-known symbols, and is on our flag. The leek on a second-class stamp is actually a design carved in Welsh sycamore wood, and is another symbol of Wales: one of the stories behind that is supposedly that a 7th century Welshman who was king of Gwynedd, King Cadwaladr, told soldiers to wear leeks on their helmets to help them identify each other during a battle. And finally the daffodil is the national flower of Wales, and often worn by Welsh people on St David’s Day. They probably snuck in because leek is “cennin” in Welsh, while daffodils are “cennin pedr”… and daffodils look prettier pinned to your jacket!

In the UK, it’s also an interesting time as the stamps are in the process of switching from having Queen Elizabeth II’s head to having King Charles III’s profile. Sometimes at the moment I’m using one of each monarch to make it up to the right value!

How about you? Do you choose interesting stamps, or just get whatever the post office have? You can share your thoughts in the comments here, or use this as a prompt for what to write on your postcards this month!

February is a busy month in the mail calendar, and we can’t wait for it to start! Are you ready?

We love a good mail challenge around here, and since February is the Month of Letters, it is time to dust off all that special stationery and put pen to paper! It’s the perfect opportunity for reconnecting with family and friends, sending a Valentine card to your special someone, saying thank you to the helpful people in your life… or simply surprising strangers across the world with postcards! 😉

The rules of the Month of Letters challenge are simple:

• Mail at least one item through the post every day it runs. Write a postcard, a letter, send a picture or a cutting from a newspaper… anything goes!
• Write back to everyone who writes to you. This can count as one of your mailed items.

That’s it! The challenge started back in 2012, after American writer Mary Robinette Kowal decided it was time for a break from the internet. She spent a month offline, and asked her friends to communicate with her through letters. The results were relaxing and intimate, so she decided to invite others to join, sparking a yearly flurry of correspondence.
If you’re planning to join this year, you’re welcome to share your progress with other participants on this forum topic.

Another happy mail-related event coming up is Mail Carrier Appreciation Day, which happens every year on February 4th. This is the day to celebrate our trusty mail carriers, who make it possible for this hobby to exist by delivering all our postcards!

The date falls on a Sunday this year, so be sure to prepare something nice for your mail carrier the day before — for instance, pour your gratitude into a thank you note that you’ll deliver (or affix to your mailbox) for them to discover on their rounds. I’m sure it’ll be the highlight of their day week!

If you can, take a photo of what you did to celebrate this special day, and share a link to it in the comments! 😊

Chrissy Lau is an award-winning, British-born Chinese designer/illustrator based in Sydney, Australia. Her designs are inspired by her Chinese heritage and are instantly recognizable by her signature delicate lines and intricate patterns.

Chrissy took the time to answer Clarisse (aka CStar9)'s questions via email last summer, including sharing her unexpected journey from law school to full-time illustration, the many ways her family and culture influence her work, and why she always begins her drawings on A4 paper. Lunar New Year is just around the corner, so this seems like a nice time to publish her interview here on the blog!

Your recognizable style carries across many different media (stamps, Royal Mint coins, sculpture, labels, murals, books). I learned from another fantastic interview that you’re a self-taught artist. Wow! What was your journey to professional art?

Ever since I can remember, I loved drawing. It had never dawned on me to pursue a creative career, it was just something I did to express myself. I was also very academic. I went to a private high school where they focus on careers such as medicine or law… which is why I graduated with a law degree.

I never became a working barrister; I knew after two weeks of law at uni that I didn’t like it. I carried it on anyway, as I thought it would be a good degree to have! A bit silly, but you feel responsible when you grow up with two parents who left school very young and worked very hard at their Chinese takeaway. They were always very supportive of any decisions I made, but I put that pressure on myself to finish my degree.

Growing up, everyone was so encouraging about my drawings and always told me how creative I was but I never considered it as a career. There was an insane amount of reading to do at uni, so I drew more and more to keep myself sane. After uni I decided to see if I could sell my drawings. I still didn’t have the courage to pursue illustration full-time, so I continued with commissions at night whilst juggling various day jobs.

You took the plunge in 2013 to work as an illustrator full-time. What was your first postal commission?

My first postal commission was Year of the Horse 2014 for Guernsey Post (read more about that philatelic series here).

Since then, I have illustrated each animal zodiac. 2024 will be the Year of the Dragon. The final animal of the series will be the Snake, in 2025—that will be a full zodiac collection of stamps.

In 2021, Australia Post commissioned the Year of the Ox, and I’ve continued with them on an annual Zodiac series.

In general, do you approach stamps differently than other work?

Stamps are really small, so the designs need to be eye-catching and not too detailed for technical/manufacturing reasons. The stamps I create for Guernsey Post and Australia Post are gold embossed (or foiled), so there needs to be enough breathing space between the lines as well as a minimum line weight so that they can be printed correctly.

What’s your personal relationship to paper in general, and to postal mail specifically?

I always sketch on paper. I need something physical to hold and see in order to get started. I like plain A4 printer paper. If the paper is too nice, or if it’s in a nice notebook or sketchbook, I always fear ruining it!

I like sending cards but I’m not fussed about receiving them. My family lives in England (where I’m originally from; I now live in Sydney) so I always like to send letters, photographs, and drawings to them.

Can you give us an example of how your East-meets-West identity manifests in your work?

I take my experience of growing up in England (1984–2007) and Australia (2007+) and mix it with my experience of being British-born Chinese. I have only lived in the Western world, so the inspiration/imagery of Chinese culture is what I’ve seen in England and Australia.

My late father was my biggest inspiration and a fountain of knowledge when it came to learning the deeper meanings and symbolisms of Chinese culture. My dad had an incredible journey climbing over the border from China to Hong Kong when he was 10, to escape poverty. He was a big believer in feng shui and also very superstitious, so we always had long chats about my designs as well as Chinese history and Chinese art. When I create Asian-influenced art, it runs quite deep with meaning and symbolism as I pay homage to my heritage and my dad’s influence, whilst also creating something mesmerising to draw in anyone of any heritage. I grew up in Northern England and pretty much experienced racism on a daily basis, so to create Asian-inspired art means I am sharing my culture/heritage to create more familiarity and less hostility.

The stamps I create are launched from the West, but they are also sold in China and other Asian countries, so before they’re approved, we seek feedback from Chinese stamp experts.

I spend lots of time researching to ensure each object in the illustration represents something meaningful in Chinese/Asian culture. It’s important for me to create beautiful art that is intriguing and enticing and can be enjoyed by the viewer in a way that invites them to find out the deeper meanings behind the art.

The foundation of your artwork seems to be fountain pen and ink. How does that manifest in the digital age?

Before 2018, my art was very detailed and hand drawn: lots of black ink and splashes of red. I really enjoyed the style of block printing, so I liked to emulate that. I also drew a lot of hair with fine lines and lots of patterns. In order to become more commercial, I have had to evolve and inject more colour into the art whilst retaining my signature patterns.

In late 2018, I started to use an iPad to create art. I was very skeptical, but it was recommended to me by Luke Shadbolt who is a very talented photographer and husband to fashion influencer Nicole Warne. I was commissioned by them to do some illustrations for their wedding invitations, and they both said the iPad was a game changer for them. I haven’t looked back since – a small investment but one that has paid dividends.

My old process was hand-drawing sketches, scanning and emailing to the client, and once they were approved, I would outline in fountain pen and rub out the pencil marks. If I didn’t have a firm hold of the paper it would scrunch along with the eraser! I would then scan the outline and email to the client. Once it was approved, I would colour digitally in Photoshop on my laptop (I taught myself how to use Photoshop when I was 12, so years later it came in handy!).

My new digital process cuts out scanning/erasing, which speeds things up a lot. The iPad also allows me to create artwork in vectors (vectors don’t diminish in quality no matter how much you zoom in, as opposed to raster – when you zoom in it gets blurry) on the Adobe Illustrator app. It’s like drawing with a pen and paper, and it cuts out the need to learn Adobe Illustrator’s desktop version with a mouse, which is much trickier.

What element of your job as an artist do you like the most, and why?

I enjoy the challenge of turning a brief of words into visuals. I really enjoy creating art that’s inspired by my Chinese heritage because I can share the art with my children and teach them about their culture.

What do you like least about your work as an artist?

I’m not keen when clients change the brief halfway through as I’ve already completed a lot of research and brainstorming, or they tell you it’s a rush job and then take ages to give their feedback. It’s not that bad really, though as it doesn’t happen that often.

What is something are you proud of, outside of your artwork?

I’m proud that I am a good problem solver. I’m good at teaching myself how to do anything I put my mind to.

In 2010, I was asked by a recruiter if I knew what search engine marketing was and if I’d be interested in a job. I didn’t know what it was, but I learned to analyse data with various formulas and turn it into a report presentation… so I got the job! I did it for three years and I didn’t actually enjoy it, but I’m quite proud that I figured it out.

I am proud of my two sons – and of the fact they can grow up worry-free. I grew up as a translator for my parents (English was their second language), so a lot of responsibility fell on me. I also worked in their Chinese takeaway from a young age; it was just what had to be done. But I am grateful that I learnt lots of skills (using a wok, counting money, preparing food).

To learn more about her Chrissy, check out her website and portfolio. Over the years, she has given several interviews — for instance, about her work for the Sydney Lunar Festival, Guernsey Post, IllustrationX or Collective magazine.

Good news, everyone! Clarisse has a few sets of postmarked FDCs featuring Chrissy’s Lunar New Year stamps to send out to some randomly picked postcrossers! 🎉 To participate, leave a comment below sharing your Chinese zodiac sign or what your plans are for Lunar New Year celebrations (if any)! Come back this time next week to check out the winners, which will be selected randomly.

Over the forum, there’s a fun topic called “You know you’re a postcrosser when…”, started by Jenny (aka Axolotl_) back in 2021. We love seeing what people post there, so we thought we’d share some of the ones which jumped out at us (though it’s very hard to choose!).

One of the earliest posts by Jewell (aka jewelldelis) does seem like a bit of a giveaway, and other members have mentioned similar:

I don’t think I’m quite at that stage myself, but I do wonder sometimes if the person emptying the pillarboxes sees all my postcards pushed in at once and thinks “ah, it’s that one again”! Though it’s rare for me to send as much as Ksenia (aka Xute). She says:

She included a picture, too!

Sometimes it’s not just about us. It’s the way the whole family gets involved. For example, even Shannon (aka MystiqueDeep)'s kids are in on the Postcrossing fun:

It’s not just at home with the neighbours and the local postal workers, either. Kanerva has even been spotted as a postcrosser in a touristy spot:

I’ve been asked about all the postcards I was buying before, but they didn’t know about Postcrossing yet. Don’t worry, I told them all about it!

Quite recently, Sai (aka Boson) shared the fun facts about addresses that he’s learned because of Postcrossing. He says you know you’re a postcrosser when:

Check out his post to see the other things he’s learned!

On another note, Maggie (aka fire_maggie)'s suggestion got me thinking:

Clearly, I need to add this to my travel checklist… Do you know how to ask for stamps in many languages? I think I could manage French, and I always have my wife to ask in Dutch. After that I might be stuck. Better preparation next time!

For those who have a mailbox to open, Nadine (aka Amalaswintha)'s got a suggestion:

I’m kind of relieved I don’t have a mailbox, because I can definitely picture that happening to me. But Kasia (aka kasia_kiwi) has one I definitely relate to:

That was actually my only motivation to go for walks for a while. I used my Postcrossing cards to get me out of the house, because I wouldn’t want to disappoint anyone by not posting their postcards right away!

That was just a selection of all the fun ideas people have shared about what marks them out as postcrossers on the forum. It’s obvious how much time people take over Postcrossing and how much they love this hobby, and it gives us the warm fuzzies. (And as you can see from this post, I’m the same!)

What about you—do you think there’s something very specific that marks you out as a postcrosser?