Postcrossing Blog

Our team member Iris (aka scrutiny) has recently tried a fun postal-themed game, and we thought this could be an interesting topic for a blog post, as I bet there are a lot of other gamers in the community. 🧑‍💻 So here she is, to tell us all about it!

"Have you ever wondered what it would be like processing mail in a post office if you had no hands? Specifically, if you were a pair of exotic birds with no hands? This is the premise of a video game named KeyWe, that was first brought to our attention by postcrosser Nathalie (aka Ezri). She mentioned it on the forum the day the game was released, back in August 2021. I finally had the opportunity to play it, and it is as fun and chaotic as it sounds.

The protagonists are Jeff and Debra, two adorable kiwi birds who sign up to be associate teleposters at the Bungalow Basin Telepost office. The game is co-operative (meaning two players can play together to achieve the common goals), but it also works with a single player pressing a button to switch between Debra and Jeff.

In this cute puzzle game, your abilities as a gamer don’t prevent you from having fun with it. It has similarities to the popular game Overcooked, but with less stress and a lot more mail. The goal is to process incoming and outgoing mail before the clock runs out. If this stresses you out like it did me, you’ll be relieved to know that you can switch off the time limit under game options, so the countdown won’t appear.

I personally don’t have life experience as a kiwi bird, but after playing this game, I imagine it must be quite inconvenient. It involves a lot of running around since you are small. When you have to do things like typing out postcodes to stick to packages, you have to jump on the buttons and levers with your kiwi butt.

My favourite part is when Debra and Jeff have to label packages as “urgent” “perishable” and “heavy” by sitting on the label dispenser so that the labels stick on their behinds, so they can be carried hands free to the packages.

There are various mail floors, so the setting for the tasks doesn’t get monotonous. There are overtime tasks to take on for extra bonuses. There are cassowaries to feed and exercise, and you’re occasionally overseen by an octopus named Zoey, whose eight arms put her at an unfair advantage. You can collect postal stamps at the completion of every shift, which are used to unlock wardrobe accessories for Debra and Jeff (in case you’ve always wanted to see a kiwi bird in a little hat).

The game is available for the Switch, PS4 and 5, Xbox One and XIS and also on Steam. It’s a great way to kill some time and I have a new appreciation for the hands I possess!"

Hurray for postal-themed games! Do you know any other games featuring mail that we could try? 😍

I try to review a range of different kinds of books about post: my own interests are pretty wide-ranging and I read books of all kinds of genres, so it’s fun to seek out new things! So this time I thought I’d read some non-fiction: James Barron’s The One-Cent Magenta: Inside the Quest to Own the Most Valuable Stamp in the World.

Stamps in and of themselves aren’t a huge interest of mine, though I understand the urge to collect things very well, and there are some really amazing designs on stamps. So before reading Barron’s book, I didn’t know anything about the “one-cent magenta”, a stamp now considered probably the rarest in the world. As a stamp issue, it was pretty humdrum: it was issued in British Guiana, as a stop-gap measure when the real stamps didn’t arrive. It was issued along with a 4-cent magenta and a 4-cent blue, which aren’t nearly so famous, and it’s not exactly very attractive. You can make out a signature, and a bunch of smudging, and some very faint printed lines, but really it just looks like a grubby bit of paper to me.

So why has it become the most valuable stamp in the world, and why is it so highly sought after? Solely because it’s the only existing example, as far as we know.

Really, Baron’s book is not about the stamp itself (you can learn as much on Wikipedia), but about the journey the stamp has taken through the hands of collectors and eccentrics. To me, somewhat bemused about the fuss, it’s mostly interesting as a portrait of the value people can put on pretty arbitrary things. It’s absolutely bananas to me to spend so much money in a way that does so few people any good. Some of the owners just kept the stamp and looked at it on rare occasions—could that really give enough pleasure and good in the world to be worth that much money?!

Consider the possibly apocryphal story about an alleged other copy of the stamp, too. An owner of the one-cent magenta was offered another copy of the same stamp and allegedly agreed to buy it, and then immediately burned it to protect the rarity of the well-known version. It seems so bizarre to me that we can even believe it might be true, but… knowing people, I wouldn’t have been terribly shocked if it were.

I found Barron’s book fascinating in a way—I’m more interested by the idea of reading more about the general history of stamps, but one almost can’t look away from the excesses of most of these collectors. And some of them had very dramatic lives in their own right! It does come out more as a biography of the owners of the one-cent magenta and their colourful lives (including a murder), so bear that in mind. It’s less about stamps than just the human tendency toward obsession, writ large!

For my next review, I’ll probably change things up again and review a new fantasy/SF novel which promises to hold intimate letters at its heart: A Letter to the Luminous Deep, by Sylvie Cathrall, which promises a romance initiated via letters, and then uncovered by the writers’ siblings after they disappear, wrapped up in a fantastical world. I’m eager to read it, so hopefully I’ll get the chance soon!

I haven’t forgotten as well that I mentioned planning a review of Lynne M. Kolze’s Please Write—and if you have any other suggestions for books I should read and review, there’s a forum thread for that. (To view and post there, you may need to log in and spend some time browsing and participating in the forum first!)

The writing prompts invite postcrossers to write about a different topic on their postcards’ messages every month. These are just suggestions though — if you already know what you want to write about, or the recipient gives you some pointers, that’s great too!

This March, I had the honour of attending my childhood best friend’s wedding, which got me wondering about different wedding customs around the world. Sometimes weddings are religious, and sometimes they’re more like big parties, and they can vary a lot with local customs and traditions. So that’s the prompt for this month: tell us about weddings!

My own wedding was pretty non-traditional. I did wear a white dress which wasn’t a world away from being a wedding dress, but it didn’t cost thousands of pounds (which is pretty common for wedding dresses in the UK). I also didn’t have a train or a veil, though I did carry a bouquet… though my bouquet was pretty non-traditional as well, since it was made of daffodils (the national flower of Wales), and the daffodils had been made of paper for me by my partner. It meant I could keep my bouquet forever, though it’s been battered around a bit when we moved. We got married in the town hall in Leuven, and exchanged rings in front of just a few friends (and the interpreter who was there for me, since I don’t speak Flemish!)… and afterwards we went back to our flat and had a picnic, followed by going out that evening to introduce my friends to Belgian chips.

My best friend’s wedding was a bit more typical: full-length white dress, veil, etc, and with a lot of family present. It wasn’t a religious ceremony, so it wasn’t in a church, but it was in a dedicated wedding venue and there was a procession down the aisle. Afterwards there was a photography session, and then sit-down meal with speeches and toasts. It was all a lot more fuss than my wedding, with both families present along with the bride and groom’s friends.

My best friend did make all the flowers for her wedding out of paper, though, so we had that in common!

I think all the weddings I’ve attended have been a bit different, really… British weddings can be all kinds of things, depending on the bride and groom’s backgrounds. What’s it like in your country? Is there a traditional sort of wedding? Are they large or small occasions? We’d love to hear more, either in the comments to this post, or your postcards in May!

Today is Earth Day, which means it’s time for our annual report on the expansion of Postcrossing’s tiny forest!

Some years ago, as part of our commitment to minimizing Postcrossing’s ecological footprint, we started organizing a new type of meetup: one without postcards, in which people roll up their sleeves and plant trees instead! This year, it happened on a bright sunny day in early February, and the location chosen was adjacent to last year’s plot — which was perfect, because we had a nice view over last year’s trees, and also of the ocean in the distance!

If you’re new to these blog posts, you might not know the history of the Pinhal de Leiria, a 11080ha (29146 acres) pine forest in the center of Portugal that was planted in the 13th century, in an effort to stop the sand dunes from coming inland and conquering arable soil. The forest stood for centuries, and the wood from it was even used to build the Portuguese caravels that sailed around the world in the 15th and 16th centuries… but it burned almost completely back in 2017 in a devastating wildfire. Since then, several groups and organizations come together every year to do the laborious work of replanting the forest, tree by tree. Including us, the postcrossers from Portugal! 💪

After a short briefing on how to plant trees for the newbies, we were off! This year, we had the help of 2 professional “planters”, two men hired by the organization to speed up the plantation — they had lots of experience in these things and were amazingly fast! Paulo also managed to get a hold of an extra “pottiputki”, a metal tube with a beak at the end, that speeds up the planting of seedlings. It’s heavy, but very handy!

The whole morning, our group carried trays of seedlings, dug holes and cozied over 3300 trees in their new homes in the sandy dunes, all while chatting back and forth, and even singing some popular hit songs! Sand is relatively easy to make holes in, and I think we all felt really grateful that we didn’t have to dig through packed soil and rocks to make room for our baby trees. As in previous years, we planted maritime pine, a species native to South Atlantic Europe that is well adapted to the coast that thrives in our cool, rainy winters and hot, dry summers.

Planting trees is hard work, and we were thankful for every pair of hands that came to help. At the end, we had a lively picnic in a nearby park, sharing food and Postcrossing stories, and everyone felt chuffed with a job well done.

These environmental themed meetings are becoming a favorite of ours, and we’d love to see them replicated in other countries too. If you know a good organization in your area that might need a hand planting trees, picking up trash, doing a wildlife census or some other activity that could benefit from a group of enthusiastic people with lots of hand and arm muscles (from all that postcard writing!), why not organize a meetup to give them a hand? 💪

PS: A big thank you to Tetyana (aka tatytrofamets), for being our brilliant photographer for the day!

Jackie Morris is an artist and writer based in Wales. Her Wild Cards postcard set, a collaboration with writer Robert Macfarlane, is grounded in their best-selling book series, The Lost Spells and The Lost Words.

Jackie graciously paused between creations for a conversation with Clarisse (aka Cstar9) about her recent book projects, her lifetime love of postcards, and the importance of painting as if you have paws.

All the art pieces in this story are copyright Jackie Morris, used with her permission!

You’ve described your work with Robert Macfarlane as a kind of alchemy. How did your collaboration begin?

We were both co-signers of a 2015 letter to the Oxford Junior Dictionary to request that they reinstate nature words, like 'acorn’, that were dropped from the new edition to make way for words like 'broadband’.

Here in the UK, we’ve got 70% of the world’s bluebell population, but they had dropped the word 'bluebell’ from the dictionary.

This sat in my head for a while. And then I wrote to Rob, whom I did not know, to say, this would make a beautiful book, all these words: like a tiny dictionary of forgotten things. I asked him if he’d want to write an introduction for such a book. And he said, thank you very much, but I’m really busy. And then about two weeks later he came back and said, this is really haunting me. Perhaps we could collaborate?

So, that’s where The Lost Words started, and it did become a real collaboration of words and images working together.

It’s become more than a book – it’s theatre, it’s wallpaper on hospital walls, it’s music, it’s postcards [learn more here about the art exhibits, albums, touring musical, and curriculum guides for schools].

But, you know, I had to beg for this postcard set, The Wild Cards. I wanted them straightaway, because I love postcards, and also I think every card advertises the book. But the publishers were worried that people would buy the cards and not the book. However, it seems people are buying both.

I’m hoping we can get a postcard box for our next book, as well.

You’ve said your past artwork feels almost like it was an apprenticeship for The Lost Words. Can you say more about that?

I’ve worked a lot. I’ve made enough money to live on. I’ve followed my own path and learned my craft. I think I was lucky not to have had this level of success too early. With this project, I’ve been able to turn my craft to the attention of really local things. The dandelion in the book was a footstep outside my front door. You can’t get much more local than that. Being able to turn your craft into something so close to your own soul is amazing.

What do you hope to convey with the project?

I didn’t realize until the first book was published that it was actually a howl of outrage against those who would destroy these wild things. Some people march on the streets, others do what they can in their own way. I try to be as positive as possible in my ways of protest. Every stroke of my brush is prayer and protest tangled up together.

You’ve said you have to inhabit a thing – almost shapeshift – in order to draw or paint it.

It’s a difficult thing to explain, but you need to be inside a butterfly’s wing – or try and feel like you have paws – in order to paint – in order to drop every illusion that you have of knowing what something looks like. It’s almost like acting your way through paint.

And when you’re there, you know when you’re getting it right, and when you’re not there, you know you’re flogging a dead horse.

One of the things I’ve learned in painting is that you have to be willing to make mistakes. That’s how you get to the bit where something is as right as it can be. And it’s never right, you know. Everything’s always a bit off. I used to be so disappointed with all my finished work. And then I learned it’s not the finished thing that interests me. It’s the process of getting to the point where I can stop.

I’m not saying I don’t value my work, because obviously that’s how I make my living. But now I know it’s the process of sitting on the hill, of growing wings and getting into a raven’s head – that’s the joy.

You invoke a lot of gesture and movement in the wild moments you paint. Can you talk about how you decide, say, what a fox will be doing in your painting?

I try to catch some of the fluidity of their movement. Whenever I’m painting anything, I’m soul-hunting, in a way.

I draw from life, and I use photographs, and I’ve got loads of teachers all around me in the studio.

I don’t know whether you can see these owls behind me [you can see them in a photo below]. This is a European barn owl. And this is a tawny owl. I’ve got a kingfisher over there. And there’s a fox.

I’ve got all these taxidermied things that I draw from. It’s a weird kind of animal rescue, when something is already dead. But I try to put life back into them with my paintings.

This sketchbook drawing is from the bird book.

Tell us about the bird book.

It’s our third book. It’s huge. I’m only just over halfway through; there’s a lot of work still to do. I’m painting each species that we’ve chosen, and Rob is writing an exquisite, 50,000-word prose poem.

There are so many books about birds, you know. Why do we need another one? Perhaps to prevent a greater thinning in the tapestry of life, as the sky becomes quieter and more empty of flying things.

Within arm’s reach in my studio, I have things like this blackbird nest. These eggs are replicas, of course—the real thing has a different sheen to it.

It fascinates me how this tiny little porcelain casket full of liquid turns into feather and song and flight. And that’s what we’re trying to really celebrate – that utter wonder and creativity.

When I meet somebody who is so diametrically opposed to this thought—who sees nature as dirty, who sees other lives as lesser, I hold to my heart a phrase from Richard Powers, who wrote the book Overstory. He wrote that no amount of argument can change a person’s mind. Only a good story can.

A lot of things give me hope every day. Including this Postcrossing thing. What an amazing thing – when our governments try to divide us, we still just have such a simple way of reaching out to a stranger and going, Hi!

I just signed up for Postcrossing and sent out my first three cards. And the first person for me to send a card to, she’s in America, and she’s an artist, and it’s like, how did that happen? It’s just amazing.

Let’s talk about postcards! What’s your first memory of postal mail?

Getting mail is so exciting! When I was really little, I used to love getting postcards from people when they went on holiday. When I went to places, I loved choosing a card and then posting it.

My studio has postcards stuck to the ceiling. I’ve got postcards that I had in college 40 years ago.

I bought an album of old postcards recently, and I’ve been taking them out and sending them to people. I love making original ones, as well.

One of the highlights of my career was being sent a book by Wendell Berry’s publicist, which I loved so much that I painted and posted a postcard to thank her. When she received it, she asked if she could use my words as a quote on the front of the book. Now, I don’t do endorsements for books, but I said, Are you kidding me? That’s great.

I love postcard stories. I wrote a post on my own blog a couple of years ago, asking people to write a comment about postcards in their lives – how far is the furthest one you’ve received, what’s the oldest postcard you’ve still got? And their responses were simply amazing.

What’s next for you?

I’m not getting many chances to write at the moment. But I’ve got things that I want to write. I feel myself slipping out of time because I’m over 60 now. I have less time ahead of me than I have behind. All the hours that other people spend watching game shows on TV—I want that time. I’d be an hour vampire if I could. I love sleeping, but you know, there are just things that I want to create.

A recent project of mine is called The Silent Unwinding. The book’s postcard set was released in autumn 2023.

I’ll show you another project – can you see all the hares over there? They’re waiting to be in a book. One or two more hares have to join them before they’re done.

The boxes they’re standing on are antique boxes of paints that are about 200 years old. I wake the paints up with some water and use them. They behave very differently than newer paints, and you have to remember not to suck the brush because they’re full of toxins. They’re from the early days, when artists didn’t have to make their own watercolors: proper chemistry and alchemy combined with science. And geography as well. Because of where all the colors come from.

The older I get, the more excited I get to see things. This afternoon, I’m going to the place where the skylarks sing.

We are lucky. We are lucky because we were raised to notice the way a dandelion folds up and then unfolds into something so completely other. How a caterpillar goes into a cocoon and then becomes a butterfly. What interests me is how these stories travel through time, in all of us. Every day we’re making new stories for the future.

To learn more about Jackie and her work, check out her website, Instagram and blog. You can also read a book review of The Unwinding, and watch Jackie paint a snow leopard or give a tour of her studio (so many postcards! 😍).

And here’s the cheeky giveaway you’ve all been waiting for! Clarisse is going to send 4 postcards from the The Wild Cards set to 4 randomly picked postcrossers. To participate, leave a comment below to share your old favorite word that people seem to have forgotten. Don’t forget to come back this time next week to check out the winners!